lydia and josh's wedding

I have posted about Lydia and Josh before (portraits here, wedding portrait teaser here, and a timing issue here) but this is the actual wedding.  And one of the most visual weddings I have shot in a while.  Combine the Coptic wedding service in one of the oldest churches in Madison (the Deacons were literally pulling Steve and I onto the stage to get the best shots!) with a great reception hall in an old Theater.  We had a lot to work with.  In situations like this I am very glad that I have the option of a second shooter, it allows me to be a bit more free in getting unconventional or risky shots.

Thanks guys, I had a blast...despite the heat and no air conditioning.

right place...right time

Sometimes you just get lucky and you are in the right place.  (It also helps to know how to capture it too.)

[Post storm as the sun breaks, always look away from the sun, down your shadow.]

"hope you like tomato based meals"

Sarah's Garden has provided us with as many tomatoes as we had the entirety of last year, and we are not done yet.  As Sarah was chopping up this weeks batch she said, "good thing you like tomato based meals, because we are going to have a lot of them this winter...maybe I will try my hand at salsa!"

beyond justice video trailer

A little bit ago, I was in Detroit filming a video shoot for World Vision act:s and InterVarsity.  Well, last week I am super excited to say, I finished the edit and sent it off to act:s.  Stay tuned for release, and while we are waiting check out the article James wrote about our adventure...and one of the two trailers below.

within 1/60th of a second

I am sorta surprised this doesn't happen more: A shot of mine, followed by one from Steve Salts during a recent wedding we shot together. They had to have been within 1/60th of a second from each other (our shutter speeds) for us to capture the same exact moment in time (proof because Steve caught my fill flashes in his frame.)

katelynn and jordan's pre-wedding portraits

last week's goodness

Last week brought the surprise of my best friend from High School making it into town.  To celebrate we showed him around town and canned relish! (Welcome to the Midwest Tim!)  Well Sarah canned, Tim and I watched until we felt useless then we started playing with the knives and 'helped' chop.

For Sarah, the surprise came in the form of her garden's goodness.

camera button friday: light and shade

Given my last couple posts (here and here) I thought I would talk about the types of light I encountered while hiking in the woods. The problem is that our eyes (and the emotion in our souls) see a scene with much more latitude than the camera. I remember my first years hiking with a camera and getting very frustrated. The biggest reason was that I was trying to photograph in very contrast situations and the camera just can’t handle that.

Here are the cliff-notes: If the sun is out (not overcast) shoot only in full shade (no light is streaming thorough) OR expose for only the light and shoot things that are only in that light...therfore letting the shadows go black. If it is overcast (great!) shoot all you want but don’t include the sky, because it will be all white.

Let’s talk about the sun. To the camera, the sun is very bright, brighter by 3 times as much light than the shade (sometimes more if there is a lot of cover) and this is beyond the range of our cameras. Therefore, we can expose only for the sun or only for the shade. Not both. Here are 3 shots of the same scene: exposed for sun, exposed for shade and then "exposed for both."

Sure, the bottom shot will work in a pinch but it is not worth printing, so just accept it and embrace it like a silly uncle. Use manual exposure or Exposure Compensation (your most important button) to tell your camera which one to expose for. I usually try to avoid exposing for the shade (although it can sometimes work, especially if there are people in the shade) because when you have a lot of bright spots on your photo it looks funny…and our eyes tend to be drawn to the brightest parts of the scene.

Now here is the takeaway: look for subjects that are only in the sun (or wait for them to walk into it) expose for them and see how your images pop!!  Letting the shade go black creates drama and can sometimes hide the clutter of a complicated scene.  Once you get this idea down start taking risks (risk can sometimes yield good photos) and be adventurous: start looking into the these shafts of light and see what you can create.

What about overcast days? These are great!  Now we do not have the problem of direct sun and dark shade…just differing degrees of shade (if you think about it, the clouds are creating shade all over our scene, kinda nice of them don’t ya think?) This can create great opportunities for hiking in the woods where shafts of light can usually ruin any composition. But it is not all great. Be careful of those shots that include the horizon or the big vista shots at the end of your hike. The light values in the sky are much brighter than the shade values on the ground, so your sky will go all white. In this situation, stick to shots that do not include the sky, like the details or be creative and get trees or hills to be your background.

But what about those days that are both?  These are great because you get the best of both worlds...if you are patient.  A side effect of paying attention to light is that you will learn to be aware of changing light levels.  Like on days that clouds are moving, shading the sun for a bit and then not.  Below is an image I was waiting for because the clouds were shading the scene, but I knew it would leave soon.  I watched as several photographers came to take a similar shot when the clouds were blocking the sun. I saw them look at their images, take more, look at their images, and shake their heads. As soon as the sun peaked through to light up the subject with great light I took two frames and I looked around for the other photographers...they were off down the street looking for their next snapshot.  They were not paying attention to the most important element in photography: light.

What about HDR?  Well, if you are an HDR monkey and into that kinda thing, then sure, that is a way to take photos in contrast situations because you can use your computers to make it look "cool."  I will not say that this is silly, or that there may be a time and place for it, or that some people over use it...no I will not say that at all.  And no, I am not going to tell you how, because I have never done it.  If you want to know, there are way to many tutorials online.  But because you asked, this is my first...and so far only 'HDR' image.  (by the way, it was faked: I didn't take multiple images or use an HDR program, it was one image...just heavily stylized in Lightroom.)

So there you have it. No matter what light you find yourself in, learn to utilize its strengths. But also remember that ugly light is unfixable, I am talking about harsh overhead light that is usually found between 10:00am and 4:00pm. So get up early or eat dinner late to take advantage of the great low light, and then learn to enjoy your surroundings when photogrpahy is not working...because your eyes (and your soul) can still enjoy nature, even when your camera can't.


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weekend adventure: three parks before lunch – part two

In part one, Sarah and I headed out to capture morning light. After breakfast we decided to hit up two more State Parks; Tower Hill and Governor Dodge. Two very different parks in size, length of hikes and the amount of people we ran into…but still great to walk around. By the time we got to Governor Dodge the light was pretty bad, after a couple shots I realized that photography was done. This was actually expected, so I put my camera away and did something every obsessed photographer has to re-learn: I enjoyed the hike without taking photos. This was short lived unfortunately. For some reason I decided to step into a Wasp nest and therefore invited one to take a huge chunk out of my leg. (OK, it wasn't really a huge chunk…and actually you can’t even see it but I have to exaggerate with something because; man, did that hurt!) So we headed back to the car, I cried for 20 minutes then we went to A&W for lunch.

It is amazing how much you can fit into a day adventure when you get up early enough.